Now showing 1 - 10 of 17
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El comienzo de una nueva era a partir del reciclaje de los pioneros, visionarios y referentes colombianos

2018-06 , Aerne, Annatina

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Advocacy Coalitions in the Implementation of Integration Pre-Apprenticeships for Refugees in Switzerland

2019-08-30 , Aerne, Annatina

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Palm tree whispers and mountain escapes: Strategies against environmental overuse in contemporary Latin American art

2019-09-14 , Aerne, Annatina

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The Art Market as a Social Network in Bogotá: Towards a Public Sphere through Cooperation among Colombian Art Organizations

2017-09-08 , Aerne, Annatina

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El comienzo de una nueva era a partir del reciclaje de los pioneros, visionarios y referentes colombianos

2018-06 , Aerne, Annatina

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An orchestra without conductor: Coordination in the Implementation of Integration Pre-Apprenticeships for Refugees in Switzerland

2019-06-21 , Aerne, Annatina

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Valuators and/or Matchmakers: Who Created the Colombian Art Boom?

2019-11-23 , Aerne, Annatina

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Art’s Transformative Potential: Comparing Doris Salcedo’s Plegaria Muda and Ludmila Ferrari’s Cultus

2016-12-05 , Aerne, Annatina

This paper examines the transformative potential of two contemporary Colombian artworks on society. The question is interesting in light of the internal conflict and a recent increased activity in the art market in Colombia. Two installations created by Colombian artists are contrasted in order to approach the question. Doris Salcedo’s Plegaria muda (2008-2010) and Ludmila Ferrari’s Cultus (2007-2015) provide an interesting basis for comparison because the two artworks differ with respect to their involvement with art institutions. The installations are juxtaposed along different dimensions: how they encourage connections amongst citizens and transcend their immediate publics by linking different audiences, as well as how they restructure space so as to introduce a different set of norms.

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An orchestra without conductor: organising vocational training for refugees in a collective skill formation system

2019-06-26 , Aerne, Annatina

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Cooperation Among Art Organizations in Bogotá: The Role of Reputation

2018-06-30 , Aerne, Annatina