Chutzpah!

Catalogue of the exhibition Ecophilia, Museo della Montagna, Torino, 09.06.2021 - 23.01.2022.
Ecophilia emerges from the sphere of considerations in matters of sustainability that the Museomontagna has been exploring since 2018, fully aware of the role that mountain culture, and the institution that represents it, plays in critically tackling the environmental and social challenges of today and tomorrow.
The exhibition evolves around the concept of “ecophilia”, understood, according to the definition proposed by Ruyu Hung − Professor of Philosophy of Education at the Department of Education of the National Chiayi University of Taiwan – as a guiding thread for conceiving a new sense of empathy, an affective and corporeal bond with the world, both living and non-living, with which we coexist. A goal that we can reach by shifting from an anthropocentric way of thinking to a post-anthropocentric and ecocentric one, embracing a new multi-species vision of the world, creating new narrations and constructing new constellations of opportunities.
Ecophilia is the outcome of a long research path that, over the course of a year or so, involved philosophers, anthropologists and experts in sustainability and mountain culture in a multidisciplinary dialogue with the artists and the curator, the results of which are here on display for the public.
The project underlines the urgency of a linguistic, cultural, educational and emotional revolution as an indispensable tool for tackling current challenges and as an extraordinary opportunity for updating our paradigms and our vision of the world.
Through the work of six Piedmontese artists or artistically linked to Turin, the exhibition proposes a series of visions that overturn the traditional image with which we observe, feel and relate to mountains and the natural world in general.
The works presented in Ecophilia are alternative and unusual ways of looking at and relating to mountains and nature. They shift the barycentre from which we observe the world, triggering a dynamics of de-anthropisation of thought and narrating the relationship between the human species and the outside – whether it be social, animal, vegetable or cosmic – as a moment of encounter that needs to be rethought. The viewpoints proposed bring into play and query mental, cultural and emotional processes, on both an ontological and evolutionary plane. Broadening the stance from the artistic to the social plane, Ecophilia lays the bases for observing mountains as a preferential place for the “ecopedagogy” theorised by Ruyu Hung and for a renewal of educational models.
As land at the centre of contemporary environmental exigencies, the mountains of the future do not position themselves solely as an observatory on the front line for analysing the climate changes in progress but also as a preferential laboratory within which a new empathic relationship with the world can be explored. Mountains and metropolitan-mountain lands, by extension in terms of geographic surfaces and for environmental features regarding natural resources, propose themselves to be preferential future destinations where one can flee from global warming, and where one can live experiences of reconnection with both one’s own and the collective ego and where the healing power of Nature can be rediscovered, extraordinary spaces for constructing ecophilia and for looking after the world.